The luckiest girl in the world (2022)

The luckiest girl in the world. 2022.

Directed by Mike Barker.
With Mila Kunis, Finn Wittrock, Scoot McNairy, Chiara Aurelia, Thomas Barbusca, Justine Lupe, Alexandra Beaton, Dalmar Abuzeid, Alex Barone, Carson MacCormac, Jennifer Beals, Connie Britton, Gage Munroe, Nicole Huff, Thomas Barbusca, Isaac Kragten, Kylee Evans, Leah Pinsent, David Webster, Rebecca Ablack and Angela Besharah.


A woman in New York, who seems to have things under control, faces a life-altering trauma.

The luckiest girl in the world is a misguided Me Too tale that goes off the rails quickly and has no sense or sensibility in what it chooses to portray on screen. Directed by Mike Barker (with Jessica Knoll doing the script treatment for her novel), the film doesn’t decide too many ideas but has a tasteless combination of serious questions in a rape and school shooting.

Ani FaNelli (Mila Kunis) was involved in both when she was a teenager (played by an impressive Chiara Aurelia in flashbacks, coming out of this disastrous story unscathed), hence the sarcastic nickname of the luckiest girl of the world. Nowadays, Ani is a proud manipulator engaged to handsome and well-to-do Luke (Finn Wittrock, adept at playing the kind partner who can instantly turn into a douchebag as his wife gradually gains a sense of true identity and dares to offer a suggestion that will against the way he envisions their collective future); she repeatedly states through narration that she is like a mechanical doll adept at telling anyone what they want to hear.

This Way With Words also includes a freelance writing gig educating women on how to please their partners (Ani admits she’s a sexual deviant, supposedly a traumatic response to her abusive past). She’s organized the perfect life, except the voice inside hates everyone (one of the first images is a hallucination of stabbing her husband’s hand with a knife).

Ani was also once unhappy with her weight and the large size of her breasts; the former led to the bullying, and the latter, according to her despicable mother, combined with her rebellious nature, is what led to her being sexually assaulted (three times, and the film feels compelled to show each instance). As an adult, she is now ashamed of eating in front of her fiancé (crushing pizza when he goes to the bathroom) and has had breast reduction surgery.

Drawing on personal experiences is brave and noble, and there’s no denying that Jessica Knoll added complexity to this character. The idea of ​​someone who has been gang raped but continues to write about sex rather than pursuing a dream of writing for The New York Times (or pursuing any achievable goal) is already enough material to write a film that ultimately leads to empowering self-discovery and new positive attitude. The same goes for looking at a facade of a traumatized person who has yet to deal with the gradually cracking baggage.

Nonetheless, Ani also faces a documentary maker centered around a school shooting she experienced, something she doesn’t want to discuss for understandable reasons and more. The main reason seems to be that one of his classmates, Dean Barton (Alex Barone), initially blamed him for conspiring with the shooter. Dean is also now in a wheelchair due to a bullet in the spine.

And so The luckiest girl in the world is littered with flashbacks detailing a tough upbringing, a host of terrible friends, and repeated instances of abuse and trauma that don’t need to be shown on screen for the film to be effective. Again, the mere thought of weaving a school shoot into drama and then showing it (momentarily turning the film into a thriller) is an incredibly tacky creative choice.

This story is so overloaded with characters and plot points that it often feels like 15 movies in one or a disaster by distilling something like 13 reasons why in two hours. And that’s said without revealing any of the film’s major spoilers, which only continue to take the story in extreme directions without nuance, depth, or sincerity.

So many The luckiest girl in the world ends up insulting, which is a shame because if you take the emotionally raw turns of Mila Kunis and Chiara Aurelia, refining the story into something much more focused and tight, there would be a well-meaning story of finally dealing with a trauma, expressing anger, finding identity and speaking out.

Scintillating Myth Rating – Movie: ★ / Movie: ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the editor of Flickering Myth Reviews. Check here for new reviews, follow my Twitter or Letterboxd, or email me at [email protected]

Source: www.flickeringmyth.com

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