“Boomerang”: the revolt of the victims


At 9:10 p.m. on France 2

In recent years, in the wake of the #MeToo movement, television has regularly addressed the scourge of sexual violence and its consequences for victims. The originality of this telefilm is to focus on what director and screenwriter Christian François calls the “grey zone”when “sexual assault is not understood as such by the aggressor”. When, in the first scene, Quentin tries to force his young colleague Roxane to have sex at the exit of their printing press, only to be interrupted by a call from a colleague, he does not seem to realize the scope of his acts.

It must be said that in small business there has long been a poisonous atmosphere, fueled by salacious jokes and inappropriate comments. “It’s the male who rules here. It’s not Femen Land, rather the old-fashioned fooling around of rednecks, “ denounces, in flowery language, the dean Louise Falconetti. This strong-willed woman immediately comes to Roxane’s defense and helps her raise her head. Their crusade to obtain justice will shake up the balance of power and bring to light intimate wounds.

A compelling cast

Even if the character of Louise is a little too reminiscent of Captain Marleau, puns included, Corinne Masiero brings humor and humanity to this somewhat gruff worker. By her side, Tiphaine Daviot convinces in the role of the vulnerable young woman, devastated by her aggression. Finally, the choice of Bruno Salomone to interpret the aggressor contrasts judiciously with his usual jobs as a friendly everyman.

If the scenario is didactic and predictable enough, Boomerang has the merit of allowing points of view to be expressed, including those which minimize the issue, and opens up a necessary reflection on behaviors which, even if they were tolerated a few years ago, are no longer so. The evening continues with a debate and The Maids’ Revolta touching documentary on the fight of the employees of the Ibis hotel in Batignolles.

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