a mature, sophisticated and sexy love triangle that will break your heart » Lesnouvelles.live

David Dawson, Emma Corrin and Harry Styles (left to right) in ‘My Policeman’. Amazon Studios

Meticulously directed, beautifully photographed and sensitively performed by a superb cast, Michael Grandage’s My Policeman is a heartbreaking and vastly underrated British film about three people in an unconventional, life-changing bisexual love story that spans 40 years, from the 1950s to the 1990s. . When I saw it at the Toronto International Film Festival, I thought it was mature, sophisticated, sexy, and moving enough to make me cry. As this usually happens as rarely as a tax refund and almost always involves films about poverty, abandoned children and adorable dogs in danger, I was stunned by my emotional reaction and prepared for the statement of a masterpiece. Now that it has opened up commercially to the disturbingly lukewarm indifference of largely mixed reviews, I am, in the words of Lorenz Hart, bewitched, disturbed and bewildered. To be fair, it also received well-deserved praise, but much of what I read is misinformed, misguided, misleading, and nonsensical. (Also, in some cases, homophobic.) My advice: if you read anything negative about My Policeman, ignore it and see this exemplary film for yourself. You’ll be glad you did.

MY POLICEMAN ★★★★ (4/4 stars)
Realized by: Michel Grandage
Written by: Ron Nyswaner
With : Harry Styles, Emma Corrin, Gina McKee, Linus Roache, David Dawson, Rupert Everett
Operating time: 113 mins.

Based on a popular and highly acclaimed novel by Bethan Roberts, the screenplay is from Philadelphia Academy Award-nominated writing Ron Nyswaner and the direction is from Michael Grandage, who made his successful 2016 debut with Genius. about legendary literary editor Maxwell Perkins. (played by Colin Firth) and his clients F. Scott Fitzgerald, Thomas Wolfe and Ernest Hemingway. Grandage makes ambitious, high-quality films of uncommon intelligence that aren’t always embraced by unscrupulous hoi polloi, of which My Policeman is a prime example.

It begins as the clock is about to strike the year 2000, when an elderly man named Patrick (Rupert Everett), severely damaged by a stroke, is brought to a beachfront home to being cared for by Marion (Gina McKee), one of his oldest friends, and her husband Tom (Linus Roache). She seems devoted, Tom remains resentful of the intrusion and refuses to have anything to do with his uninvited guest, and that’s all we know. But as the memories flood back, fueled by evenings at the opera listening to Verdi, the film slowly and intriguingly begins to piece together wandering pieces of the puzzle that provide clues to their identity and relationship to one another.

Harry Styles (l) and Emma Corrin in ‘My Policeman’. Amazon Studios

Suddenly it’s London, 1958, Marion (Emma Corrin) is a bright and promising schoolteacher and Tom is a serious but uneducated young cop (played by pop star Harry Styles). They meet on the beach and fall in love, but soon they meet Patrick (David Dawson), an artist and museum curator who reminds Tom of the finer things in life he misses. Patrick teaches Tom about art, music, scotch and sex, recruiting him to pose for a painting that leads to seduction and a new way of life that both frightens and intrigues the naive Tom. Life explodes all around him, opening new windows and plunging him into an erotic abyss of forbidden passion.

The narration is non-linear, the characters are juxtaposed, the fragments of their history mingle from 1957 to 1999 while we share their journey through the changing prisms of time. Marion loves Tom. Patrick loves Tom. Tom loves them both. But he also wants a wife and children. So Tom and Marion get married in 1958, but her love affair with Patrick intensifies. Marion indulges them both while Patrick takes Tom on an Italian trip to explore Venice. The trio spans years as they all endure the agony of living a lie, but the film is so delicately observed that the viewer never fidgets. At a time when homosexuality in England remained illegal, Patrick was arrested, condemned in court by the extracts from his diary on Tom, condemned and imprisoned for “public indecency”, like Oscar Wilde. It is Marion who defends her. But Mr. Grandage has not yet finished his story. As six actors warmly portray three characters four decades apart, the facts finally emerge, and he’s the person you least expect to solve the riddle of what really happened to change them irrevocably. which makes the ending sweetly dramatic with so much wisdom and overwhelming angst. . Tom, Patrick and Marion avoid easy closure while moving to a place of renewal as they realize they must come to terms with the past if they are to move on with their lives.

Gina McKee (l) and Rupert Everett in ‘My Policeman.’ Amazon Studios

Harry Styles may be the commercial appeal, but while he infuses the narrative with some glamor, he’s just a cog in a perfect wheel. Her nude sex scenes with David Dawson are graphic yet authentic, involving both physical attraction and spiritual depth of feeling. It is a rare experience for a film to convey these passions to the viewer with such sensitivity. That’s why I was so moved by how the characters are portrayed, both in the throes of youth and when the trio are decades older. Nothing in this image is sensational in itself. Everything depicted is necessary to properly tell the story – and it’s all shot with insight and splendor by Ben Davis, who also shot The Banshees of Inisherin. The film becomes more and more compelling as it reaches its undeniably emotional conclusion. The intimacy and expansive pain and bravery of greater emotions in My Policeman leaves you with a galvanizing sense of hope.

Observer reviews are regular assessments of new and noteworthy cinema.

Source: observer.com

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